| Bradley Bredeweg | ... | (created by) (88 episodes, 2019-2024) |
| Bradley Bredeweg | ... | (written by) (1 episode, 2019) |
| Joanna Johnson | ... | (created by) (88 episodes, 2019-2024) |
| Joanna Johnson | ... | (written by) (26 episodes, 2019-2024) |
| Joanna Johnson | ... | (teleplay by) (1 episode, 2020) |
| Peter Paige | ... | (created by) (88 episodes, 2019-2024) |
| Peter Paige | ... | (written by) (1 episode, 2019) |
| Chelsea Maccani | ... | (executive story editor) (20 episodes, 2023-2024) |
| Chelsea Maccani | ... | (story editor) (18 episodes, 2022) |
| Chelsea Maccani | ... | (written by) (3 episodes, 2021-2023) |
| Chelsea Maccani | ... | (story by) (1 episode, 2020) |
| Boafoa Offei-Darko | ... | (executive story editor) (20 episodes, 2023-2024) |
| Boafoa Offei-Darko | ... | (story editor) (18 episodes, 2022) |
| Boafoa Offei-Darko | ... | (written by) (3 episodes, 2021-2023) |
| Dan Richter | ... | (story editor) (20 episodes, 202 • On January 19, 1943, Princess Juliana, a Royal Dutch princess, gave birth to Princess Margriet in Ottawa, Ontario. The family had fled their home country—the Netherlands—as it was unsafe during the Second World War. Canada opened its doors and provided a safe haven for Princess Juliana to give birth. A beautiful tradition and gesture of friendship was also born on this day. After the war ended in 1945, the Dutch royal family began sending thousands of tulips to Canada—an outpouring of gratitude for the kindness shown during such dark times. • COPYRIGHT & CREDITS ACKNOWLEDGEMENTSFrom the Author This monograph is the result of many years of study. I began my research at the turn of 1970, while under the supervision of François-Marc Gagnon at the University of Montreal. I would like to take this opportunity to pay tribute to him and offer my sincerest thanks for his support of my work. François-Marc Gagnon, who passed just as this book was about to publish, has been a source of inspiration for the many areas of study he so masterfully developed. His contribution to the history of art is immense and can only be equalled by his generous and curious spirit. I would like to thank the staff of the many museums, archives, libraries, religious communities, and parishes, in addition to the numerous art galleries and collectors who offered their support. One person in particular contributed crucial insight into the life and work of Ozias Leduc. The indefectible memory of Gabrielle Messier (1903–2 
|