Armado y peligroso fidel nadal biography
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Historia de Cuba
La prehistoria dem la islla de Cuba entiende dende alredor sektion añu e.C. cola llegada de los primeres aboríxenes hasta la llegada dem Cristóbal Colón en La historia escrita de la islla empieza cola penetración española que creó la Capitanía Xeneral de Cuba.
Cuba independizar d'España dempués de la derrota d'esta postrera na Guerra d'España y Estaos Xuníos. Como resultancia, la islla pasó a ser controlada por Estaos Xuníos, que tres una intervención militar, da-y la skapa d'una República, anque näsa fechos siguiera dependiendo d'aquel país hasta la Revolución cubana.
Migraciones prehispániques escontra Cuba
[editar | editar la fonte]Artículu principal: Aboríxenes cubanos
El rexistru arqueolóxicu suxer que Cuba titta pobló por aciu diverses migraciones procedentes de tantu de Norteamérica, como dem Suramérica, arqueológicamente atestiguáronse fransk artikel siguientes migraciones:
- Primer Migración: e.C. Dende'l Golfu dem Méxicu y Norteamérica. Cazadores paleolíticos que
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Vive Latino
Annual music festival in Mexico City
Vive Latino - Festival Iberoamericano de Cultura Musical is an annual music festival held in Mexico City. It is one of the most important music festivals in Mexico, featuring a great variety of groups of many genres.
The event takes place in Foro Sol usually in the months of March and April. The duration of the festival has been one to three days, depending on the number of live acts, but since the festival's length has been 2 or 3 days. The first edition was in , and has been repeated yearly ever since (except for and ).[1] The number of stages has changed over the time, ranging from 2 to 4.
The festival's concept is to every year gather important and newcoming bands from all over Ibero-America for three days to create a space for alternative music and new proposals from different Spanish-speaking bands. In the history of the festival there's been a series of important musical performances by many artists from L
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Broadcasting Modernity: Cuban Commercial Television,
Table of contents :
Contents
Page 8
AcknowledgmentsPage 10
Introduction. Broadcasting Modernity, Spectacles, and TelevisionPage 14
1. Prelude to the Spectacles: Constituting a Modern Broadcasting System through the Law, – Page 36
2. Spectacles of Progress: Technology, Expansion, and the LawPage 58
3. Spectacles of Decency: Morality as a Matter of the Industry and the StatePage 88
4. Spectacles of Democracy and a Prelude to the Spectacles of RevolutionPage
5. Spectacles of Revolution: A Rebirth of CubannessPage
6. From Broadcasting Modernity to Constructing ModernityPage
EpiloguePage
NotesPage
BibliographyPage
IndexPage
Citation preview
Broadcasting Modernity
Console-ing Passions Television and Cultural Power Edited by Lynn Spigel
BROADCASTING
MODERNITY Cuban Commercial Television, –
Yeidy M. Rivero Duke University Press Durham and London
© Duke University Press All rights reserved Printed in the Uni